Political Science Course Guide - Indianapolis

SOON TO BE AN HBO® DOCUMENTARY FROM AWARD-WINNING DIRECTOR JOHN MAGGIO * "An important--and deeply sobering--new book about cyberwarfare" (Nicholas Kristof, New York Times) The Perfect Weapon is the startling inside story of how the rise of cyberweapons transformed geopolitics like nothing since the invention of the atomic bomb. Cheap to acquire, easy to deny, and usable for a variety of malicious purposes, cyber is now the weapon of choice for democracies, dictators, and terrorists. Two presidents--Bush and Obama--drew first blood with Operation Olympic Games, which used malicious code to blow up Iran's nuclear centrifuges, and yet America proved remarkably unprepared when its own weapons were stolen from its arsenal and, during President Trump's first year, turned back on the United States and its allies. And if Obama would begin his presidency by helping to launch the new era of cyberwar, he would end it struggling unsuccessfully to defend against Russia's broad attack on the 2016 US election.  Moving from the White House Situation Room to the dens of Chinese government hackers to the boardrooms of Silicon Valley, New York Times national security correspondent David Sanger reveals a world coming face-to-face with the perils of technological revolution, where everyone is a target. "Timely and bracing . . . With the deep knowledge and bright clarity that have long characterized his work, Sanger recounts the cunning and dangerous development of cyberspace into the global battlefield of the 21st century." --Washington Post

In the early years of the Cold War, Western nations increasingly adopted strategies of public diplomacy involving popular music. While the diplomatic use of popular music was initially limited to such genres as jazz, the second half of the 20th century saw a growing presence of various popular genres in diplomatic contexts, including rock, punk, reggae, and hip-hop. This volume illuminates the interrelation of popular music and public diplomacy from a transnational and transdisciplinary angle. The contributions argue that, as popular music has been a crucial factor in international relations, its diplomatic use has substantially impacted the global musical landscape of the 20th and 21st centuries.

The book is the result of a collective research work between the members of the team of the project "Over the Atlantic" (co-founded by the Erasmus + programme). A critical introduction presents the work, the content and the scope of the research, carried out with an interdisciplinary approach. This book consists of three main parts. The first discusses the institutionalization and normalization of paradiplomacy in some specific and well-documented case studies regarding the Latin America region. The second one refers to the relationship between paradiplomacy and cooperation in the context of international and regional relations. The third part analyses Cities and Parliaments as international diplomatic actors. The theme of Paradiplomacy, as a means of unofficial relationships that reacts differently to the pressure of the international system, and the role of the local authorities, despite its relevance and importance, is scarcely analysed by academia.